Smoke Screen is a subjective exploration into the condition of digital screenship.

In the spring of 2007, in New York, as part of an exhibition organized by Gavin Brown's enterprise, Nick Mauss and Ken Okiishi produced One Season in Hell, an installation whose point of departure was Arthur Rimbaud’s famous extended poem Une saison en enfer.

Der vierte Band in der Schriftenreihe der Schering Stiftung dokumentiert Manglano-Ovalle's Arbeit in Form eines Katalogs zu seiner Ausstellung "Bird in Space at MACH 10" mit Beiträgen von Charlotte Klonk, David Familian, Iñigo Manglano-Ovalle und Thomas Wagner.

Story about a project for the KIASMA Museum in Helsinki, Finland, that was canceled two weeks before its realization. It was intended to become an installation of three intersecting Moebius strips 'circling' around the gallery, functioning as a platform to exhibit works of other artists.

Paul McCarthy: Hammer Oranges Apple was published in 2003 by Revolver – Archiv für aktuelle Kunst and

In Playground Land has tried to create a scene of being trapped in an insubstantial reality.

"The photographs taken by Georg Philipp Pezold document the etsate of an Austrian family that was driven from Vienna in 1938. After theiremigration to Paris the tax authorities sold a large part of the possessions left behind by the journalist Berta Zuckerkandl, her son, her daughter-in-law and her grandson Emile. The four of them were able to escape from France to North Africa." (Forward: Ruth Pleyer)

Pamphlet on art and etiquette published by Paper Monument, with contributions from 38 artists, critics, curators, and dealers on the sometimes serious and sometimes ridiculous topic of manners in the art world.

The catalouge summarizes the artistic practice and the theoretical work of "non.gruppo erostrato" from 1970 to 1975.

Diese BILDERPOLITIK untersucht die Wechselbeziehung von Medien und Geschlechterverhältnissen in Zeiten von Krieg und Terror.

Rules of Hypergraphy was an investigation into the concept of hypergraphy through an exhibition, a publication, a typeface, a workshop and an evening of performances.

Die Publikation reflektiert den Begriff des Dokumentarischen vor dem Hintergrund seiner Geschichte, verortet, analysiert und theoretisiert Aspekte davon innerhalb der gegenwärtigen künstlerischen Produktion. Was also wird sichtbar, wenn Dokumentarisches Gegenstand und Mittel künstlerischer Rede ist und wie ist mit dem gerade nicht sichtbar Gemachten umzugehen? Kunst und Dokumentarismus verbindet ein wechselvolles Verhältnis von (Selbst-) Reflexion und Verfremdungsstrategien, die Möglichkeit der Affirmation ebenso wie kritisches Potential.

The playful principles of the competition are supported by a text by Ian Borden (architectural historian) about how skateboarders adopt urban environments as concrete playground, and a chapter from Jocko Weylands The Answer is Never on the rise of skateboard culture in the eighties.

Artist Book

Mit Beiträgen von Andreas Broeckmann, C5, Inke Arns, jodi, Konrad Becker, R.LeE Montgomery, Marina Grzinic Mauhler, Nina Czegledy, PLATFORM, RTMark Stephen Kovats, Vuk Cosic, Geert Lovink, Lev Manowich, Minja Smajic, Darko Fritz, Gebhard Sengmüller, Dejan Srentenovic, Aleksandar Boskovic...

(D/Engl.)

Providing art as a service to others or thinking about this as a way to destabilize the commodity-function of art has been formative for Temporary Services and Half Letter Press. Martha Rosler has been a pioneer is so many ways that have impacted contemporary art practice. This is just one of them. There is no way we could miss offering this publication in our growing catalog. It was recently reprinted by the tireless folks at Printed Matter.

Margaret Salmon (1975, New York, USA) creates stylized portraits that weave together poetry and documentary.

OCA launched its autumn/winter 2009 semesterplan with the presentation of Sol LeWitt's 'Sentences on Conceptual Art.

Das Buch zur Ausstellung RADICAL BUSTS von Marianne Maderna.

Künstlerbuch von Alexandre Loye.