Lesen und Sehen ist Peter Naus viertes Buch mit Miniaturen.

In its obsession to classify and find an underlying order to nature, one of the objectives of science has been to develop a system of taxonomies for bodies. Through their representation systems and the devices used for their exhibition, cartographies of the

Looking at cartographies through sexual dissidence facilitates a process of resignification that speaks in other terms,

Mister Spare owns a pen that can write 320 miles. That's how the pen was sold to Mister Spare: as a 320-mile pen. But Mister Spare isn't going anywhere. Mister Spare writes in the same notebook every day.

For the first time, this publication unites the English language work of Zampa di Leone with two sequences of comic strips and caricatures titled “Deep Europe” and “In the Arse of the Balkans”.

As an independent art publisher, Lugemik has mapped a large part of the Estonian contemporary art and design landscape through numerous collaborations with artists, designers, theorists and cultural institutions, resulting in a variety of printed matter. The exhibition strives to talk about the aspect of translation in Lugemik’s practice, and will also reflect on topics related to book-making, such as graphic design, contemporary methods for art reproduction, and various forms of collaboration.

The Danish label/imprint arbitrary announces the release of Framework 3 (arbitrary11) by Mads Emil Nielsen. Framework 3 is the latest instalment in Nielsen’s sequence of graphic scores and recordings.

Florian Glaubitz’s images - sometimes illuminated, sometimes behind glass, cut-back, flat and bulbous - lead me to questions around the ever-present interrelation of body, material and product. Not so much through words, but through an image language that has been developed over years, he talks of desire, relentlessly demands beauty and attempts to hold onto temporary states of being in which everything seems possible.

Werner Dütsch (1939-2018), together with other commissioning editors of the film department of Westdeutscher Rundfunk (WDR) Cologne, devoted his work to the past and present of the cinema like few others.

A small selection of texts written by the outstanding film critic and translator Frieda Grafe, complemented by the speech that Harun Farocki gave when Grafe and Enno Patalas were given the “01 award” in 2000.

Contributions from Sabeth Buchmann, Burcu Dogramaci, Noit Banai and Sa’ed Atshan are accompanied by visual and literary material and references from Gal’s extensive research practice.

'Blending the heraldic with the optical, August Krogan-Roley’s Empty Coats each present themselves as a pictorial game.

Since 2001 Prinz Gholam have been dealing with the self and the body as cultural constructs in their performative work. In the actions they perform together, the two artists succeed in revealing and breaking through the postures of our iconographic heritage that are consciously or unconsciously inscribed in us.

This limited edition of PROVENCE includes 42 posters by: 5 posters 83 x 63.5 cm, 34 posters 55.5 x 42.5 cm, 3 posters 28 x 42.5 cm

Maximiliane Baumgartner’s Ich singe nicht für Bilder schöne Lieder (I Don’t Sing Beautiful Songs for Pictures) is the first comprehensive publication that contextualizes and traces her artistic practice of the last four years in relation to the fields of painting, action (space) pedagogy, and critical research on the subject of urban planning.

Dissent Without Modification (Bergen Kunsthall), written by Grace Ndiritu, is a research book composed of interviews with radical and progressive artists and thinkers, who started their education and careers in the 1990s. Some are well-known, some are not. They are African, European, and American women working as painters, photographers, performers, hackers, activists and educators, among other roles such as Lisha Sterling, Monster Chetwynd and Kathrin Böhm.

“Erasure is a visual depiction of the modernist erasure of graffiti. It is authored by X, the artist, and I merely the conceptual constructor of what X had innocently, non-artistically performed.” – Eldon Garnet

"of course blue affects my way of shitting” is a collection of prose and poetry by Petrit Halilaj written between 2007 and 2008. Many of the artist's titles for previous exhibitions and artworks have come from these texts, which have never been presented in their entirety until now.

The research of Mariateresa Sartori revolves around three thematic fulcrums: empirical scientific method; behavioural dynamics, often in relation to neurosciences; music and sound in relation to language.