This publication documents the 2016 exhibition “One, No One and One Hundred Thousand,” which took place at Kunsthalle Wien, Karlsplatz. Curated by Luca Lo Pinto, the show took its inspiration from Oulipo, a literary strategy whose objective was to propose new “structures” for writing that were mathematical in nature.

Guy Mees’s (1935–2003) photographs, videos, and above all his fragile works on paper are characterized by a formal rigor combined with sensitivity and delicacy. The uniqueness of his oeuvre lies precisely in its avoidance of conventional aesthetics and discursive classifications.

Latefa Wiersch (*1982 in Dortmund, Germany, lives and works in Zurich). Her work is populated by liminal beings that combine elements of human and animal, plant, object, and machine, and that pupate and transform.

“Attached” is a collection of texts that document a diverse range of artworks made by Jessie Bullivant (AU/FI) over the past decade. By replacing the default photographic documentation with written accounts,

The summer 2020 issue of Mizna is guest edited by Zeyn Joukhadar and speaks to bodily autonomy, embodiment, and self-determination within a queer, transgender, SWANA, and Muslim lens. Mizna: Queer + Trans Voices bears witness to our rich history, and imagines futures for ourselves.

The winter 2020 issue of Mizna is guest edited by Palestinian graphic novelist Leila Abdelrazaq and addresses prompt of A New World Order. These days, it seems as though revolutionary changes are happening daily.

Mizna is a critical platform for contemporary SWANA literature, film, art, and cultural production centering the work of Arab and Southwest Asian and North African artists. For more than twenty years, we have been creating a decolonized cultural space to reflect the expansiveness of our community and to foster exchange, examine ideas, and engage audiences in meaningful art.

The winter 2021 issue of Mizna, guest-edited by Tarik Dobbs, challenges conventional forms, language, and ideas within literary processes and traditions.

“Portraits by Robert” is a book of poems about people. Most of the poetry is in post-American English (our English). A handful of pieces are in other languages.

More just spatial practices are to be found in the diversity and nuances of myriad space-making paradigms that tackle local challenges while providing credible responses to current global issues. In Radical Rituals, we collect spatial protocols following an imaginary line: the 45°N parallel.

Art for UBI is a manifesto: the world of art positions itself in favor of universal and unconditional basic income, placing in the foreground its advantageous conditions in economic, social and ecological terms.

Mouse on Mars take over the Kunstbau of Lenbachhaus in Munich, Germany with a sound installation for which they developed a site-specific composition. Working with and responding to the exhibition space, the installation transforms the Kunstbau itself into a gigantic stereophonic acoustic instrument.

soлomiya is an independent magazine founded in April 2022 by Kyiv-based photographer Vsevolod Kazarin and Sebastian Wells in response to the Russian war in Ukraine, with the aim of exploring and publicizing the country's young cultural arts scene.

Catalog of the exhibition “Felix Gonzalez-Torres – Roni Horn”. The exhibition proposed at the Bourse de Commerce is first and foremost a dream, that of being able to present two artists whose work and commitment have meant a great deal to their peers.

Hy-phen, Paintings – Drawings – Objects, is the definitive study of the work of Derek Sprawson (born 1955). This book provides an overview of the diverse phases his paintings have traversed over forty years of practice.

Unsorcery composes and explores ways of sorcery that can eventually surpass or undo some of the contemporary realities and subjectivities.

The book is published in relation to the exhibition 1971 – Parallel Nonsychronism, a joint exhibition of Kiscell Museum – Municipal Gallery and tranzit.hu, which examined the parallel tendencies of art in state socialist Hungary, during the so-called Kádár era (1957–1989)

The protocol for the production of the works presented at Salon du Salon is simple. There is a certain nonchalance, few gestures. These gestures directly question how a work is produced. The stages of development of these works are predefined: visiting museums, taking photographs, opening them on a computer, copying, pasting, adjusting, moving and recording.

"This book results from my interest in the graphic interplay between two- and three-dimensional structures. The 11 possible ways to unfold a cube are laid out on white paper, whereas the seven cuts that make it possible to unfold a cube

The Ring Orchestra is an eight-person effort, a collective coming together to tackle opera and one of the genre’s controversial poster boys.