Lucy R. Lippard's famous book, itself resembling an exhibition, is now brought full circle in an exhibition (and catalog) resembling her book. "Conceptual art, for me, means work in which the idea is paramount and the material form is secondary, lightweight, ephemeral, cheap, unpretentious and/or 'dematerialized.'" -Lucy R. Lippard,

The catalogue is published on occasion of the exhibition ‘The Purloined Masterpiece. Images as Time Machines’ at the Paintings Gallery of the Academy of Fine Arts Vienna.

Aldo und Hannie van Eyck lernten sich als Architekturstudenten kennen und heirateten 1942. Sie arbeiteten bei den meisten Projekten eng zusammen, nur Ende der 1970er Jahre für einige Jahre unterbrochen.
Aldo and Hannie van Eyck met as students of architecture and married in 1942, and worked together closely on most projetcs,

Texts by Hans Haacke that range from straightforward descriptions of his artworks to wide-ranging reflections on the relationship between art and politics.

A groundbreaking new insight into a rich spectrum of early Soviet art and design and its spaces of display. Published on the centenary of the Russian Revolution, this landmark book gathers information from the forefront of current research in early Soviet art,

The book is composed of amateur photographs of women in various degrees of undress, which were enclosed with letters and circulated among couples to convey sexual proclivities and attractiveness, as a way of getting to know each other.

Auslöser ist ein zweisprachiges Indie-Print-Magazin, das sich auf die menschlichen Geschichten hinter der Kamera konzentriert. Jede Ausgabe enthält vier ausführliche Fotograf:inneninterviews, eine Hinter-den-Kulissen-Reportage und ein fotografisches Objekt im Detail.

Examines both the art-historical framework of Tomma Abts’s painting as well as its deep philosophical and psychological dimensions.

Created in Berlin around 15 years ago, this large-format collage book by Isa Genzken is both a personal diary and artistic manifesto. In it are portraits of the artist and her friends;

The work of a pioneering artist, whose explorations of mass culture, consumerism, and politics remain highly relevant today.

This publication revisits Jennifer Tee’s tampan tulip series and the themes, motifs, and research that went into it.

“Casa Azul” (Blue House) is part of a socio-visual developed with the sociologist research Chloé Constant, about the life histories of five trans women imprisoned in a male penitentiary in Mexico City. Nr. 302/460, Nr. 277/460

Six years after landing at the Isle Enchanted in 2016, and after much inland exploration, native assimilation,

Felicity is an Australian sound artist, composer and educator based in Berlin and her latest effort "Train Tracks Recorded And Edited By Felicity Mangan" will be out world wide on tape and digital December 9.

There was a time when a person would pick up an instrument to compose yet another song for a loved one. A sad figure humming into a microphone, pronouncing the most basic words and forms to convey quantity, quality, fact,

Die Werke des chinesischen Künstlers Ai Weiwei sind Ausdruck seiner kritischen Auseinandersetzung mit Geschichte, Kultur und Politik seiner Heimat und reflektieren auf mehr oder weniger subtile Weise seine eigene Biografie.

We see women looking at art, everything an exhibition has to offer: paintings, sculptures, installations. If we’re women, then one could say they’re women looking at women looking at art.

Georg Frauenschuh (geb. 1979) verbindet in seiner Malerei einen persönlichen Standpunkt mit einer diskursiven Herangehensweise. In seinem bis 2015 vorwiegend abstrakten Œuvre tauchen in jüngster Zeit vermehrt figurative Sujets auf.

Lieselott Beschorner blickt auf gut 70 Jahre künstlerisches Schaffen und auf eine fast ebenso lange Mitgliedschaft in der Wiener Secession zurück, in die sie 1951 als eine der ersten Frauen aufgenommen wurde.

"For my artist's book for the Secession, I reproduced my diary calendar from 1986, the year I was eighteen. The calendar is full of dense handwritten entries that obsessively revolve around questions of my identity. Finding myself was what it was about.
"Als Künstlerbuch für die Secession reproduziere ich meinen Tagebuchkalender von 1986, aus dem Jahr, in dem ich 18 war. Der Kalender ist eng handschriftlich beschrieben und verhandelt Fragen zu meiner Identität im Dauerloop.


Which man? Daniel, Olli, Arnd? My math teacher? No one? Passages that now strike me as too private were blacked out in the process. Today's digital trace masks the analogue trace from decades ago. The censorship becomes a graphical addition, a drawing that pulls together the two different periods of time, separated by thirty-three years." (Alexandra Bircken)
Die Suche war das Thema. Welcher Mann? Daniel, Olli, Arnd? Mein Mathelehrer? Keiner? Subjektiv als zu privat empfundene Passagen wurden im Prozess nachträglich geschwärzt. Die digitale Spur von heute legt sich über die analoge von damals. Die Zensur wird zu einem zeichenhaften Zusatz, einer Zeichnung, der die beiden Zeitebenen, die 33 Jahre auseinander liegen, zusammenzurrt." (Alexandra Bircken)
Berlin 2019, 216 pages, 11 x 15,5 cm, Flexocover, English