Yves Klein (1928–62) first traveled to Japan as a young man in 1952, motivated primarily by his interest in judo. During his 15 months abroad, Klein had numerous important creative and philosophical revelations that culminated in the launch of his artistic career upon his return to Paris.

First publication to document the use and potential of Decentralised Autonomous Organisations in the arts that use blockchain technology and build on NFT innovations. Decentralised Autonomous Organisations (DAOs) offer unique tools for translocal peers to encode rules, relations and values into their joint ventures using blockchain technology.

In the turbulent square of Martim Moniz, stands a robust building by the architect Bartolomeu Costa Cabral. Invited by TECLA PLAY Cultural Association, artist Leylâ Gediz presents an installation of paintings in the interior gallery of the building,

“Where Do You Draw The Line Between Art and Politics?” consists of a series of interviews with individuals who have been active in various capacities at the intersection of art and politics.

In “Sculptor's Notebook”, originally written in 1985, the artist Pushpamala N evaluates the artistic practice that she had been developing until then. Centred largely around themes of adolescence and womanhood, her sculptures had won her the Sixth Triennale Award and the National Award.

“Urban Kitsch”, originally written in 1996, explores the forms of vernacular visual culture that emerged in the city of Baroda following the liberalization of the Indian economy. Plastic toys, celebrity mud flaps, and postmodern architecture collide into a new formal category—both celebrated and derided—as Praneet Soi traverses the city on his trusted Yamaha RX 100.

An account of an album about Albania by British experimental musicians made in the eighties.

“Yves Klein by himself” is the intellectual biography of one of the most influential artists of the second half of the twentieth century. Through his innovative approach to painting, sculpture, film and photography, he influenced minimalism, conceptual art and performance art from the late 1960s to the present.

Es gibt Themen, die Horn in vielen ihrer Arbeiten verhandelt. Dazu gehören vor allem die Frage nach der Wandlungsfähigkeit und Vielfältigkeit von Identität sowie das Aufzeigen von Abweichungen zwischen dem Wesen der Dinge und deren visueller Erscheinung mit künstlerischen Mitteln.

World Trade Center, New York, USA, "And then the surgical intervention in the World Trade Center in New York City. Everything top secret and illegal of course. In days of conspiratorial work, somewhere on the 148th floor and

Der Medienkünstler, Schauspieler, Theoretiker, Musiker und Museumsleiter Peter Weibel der in den 1960er- und 1970er-Jahren zu den österreichischen „Rebellen“ zählte, wurde in diesem Jahr für sein künstlerisches Gesamtwerk mit dem Oskar-Kokoschka-Preis 2014 ausgezeichnet.

With contributions by Richard Artschwager, Jo Baer, Stanley Brown, Jenny Holzer, On Kawara, Sherrie Levine, Ad Reinhardt, Gerhard Richter, Robert Ryman, Rosemarie Trockel and Andy Warhol which were shown in this context once again made it overly clear how radically the definition of the concept 'picture' has changed in this century. Erschienen anlässlich der Ausstellung - Das Bild nach dem letzten Bild in der Galerie Metropol, Wien. Mit Beiträgen folgender Künstler / innen: Jean Christophe Ammann, Hubert Damisch, Jenny Holzer, On Kawarar, Gerhard Richter, Rosemarie Trockel und Andy Warhol u.a. Texte in Deutsch und Englisch.

Herbert Fuchs macht aus seinen Künstlerfreunden Geiger, Zobernig und Kippenberger Kunstfiguren, die in seinen Textmontagen aus facts und fiction, aus Erinnerungen an gemeinsam verbrachte Tage und Nächte,

The starting point here is the relation between writing and time,
object and text, hence the title “Schreibtischuhr” (writing desk clock).
We are considering the time of the written as a point of origin and
analysis, rather than the duration of the spoken. e desk stands for
the common starting point of both the artist and

This collection of eerie figurative works by the young Polish painter Marcin Maciejowski, who has shown at Leo Koenig Gallery in New York and at the 2004 Art Basel fair as a "Statement" artist, features work from 2003 to 2007, as well as extensive background information.

Standing on top of a building: film 2008-2019 is liam gillick's first publication dedicated to his video-film production. eight works, created from 2008 to today, together with a selection of the artist's sculptural production, on display at the mother museum in Naples curated by alberto salvadori and andrea viliani: the most 'intimate' elements of his artistic research - film for the most conceived in his home-studio in New York where inspiration takes concrete form - original scripts with notes and images, as well as site specific installation views. Since the early 1990s, Gillick has been creating installations, sculptures, films, digital animations and sound works, stitched together from an intense critical and theoretical production, between the political-social dimension and the personal sphere. questions the parameters of the fruition of art and the interdependence between the economy, art and institutions, inviting the viewer to participate in the generation of meaning. to highlight how the critical potential and utopian ambitions of avant-garde movements risk being absorbed and neutralized by the structures of contemporary entertainment, communication, urban furniture and corporate culture.

Spätestens mit ihren Auftritten auf der 50. Biennale Venedig und der Manifesta 5 hat sich die deutsche Künstlerin Amelie von Wulffen auf dem internationalen Kunstparkett einen Namen gemacht. In ihren Collagen, Zeichnungen und fotografischen Überblendungen beschäftigt sie sich mit biografischen Recherchen und Rekonstruktionen.

"The textual whole forms that empty space in which the eyes can both rest and open to see the unexpected."
With Martina Steckholzer painting is documentary, deconstructive and poetic. In large-format room images, she looks at exhibition architecture and