Marcel Duchamp gilt heute als der bedeutendste Vordenker der postmodernen Ästhetik.

What is the color of Milk? Is it white? Or almost white? The images in this book show forty colors of human milk. They have been drawn from found footage images representing breast milk and human milk.

„Wie ein Hund!“ sagte er, es war, als sollte die Scham ihn überleben. Mit diesem Satz beendet Franz Kafka seinen Roman „Der Prozess“ und benennt ein zentrales Thema seines Schaffens: Die Scham. Sie und viele andere mit dem Werk Kafkas verbundene Themen haben den Schriftsteller tatsächlich überlebt und als „kafkaesk“ eine allgemeingültige und immerwährende Eigenständigkeit erlangt.

How do photographers select, order, and display their images? Conceived as part of a long-term project at the CCA to examine the contemporary role of photography in the study and practice of architecture, The Lives of Documents ― Photography as Project prompts reflections on the idea of the documentary as an embedded quality of photography.

RESIST! sheds light on 500 years of anti-colonial resistance in the Global South and tells of colonial oppression and its effects to this day. The exhibition and the accompanying publication are a tribute to the people who resisted in the most diverse ways and whose stories are still rarely told or heard today.

Zero Waste Fashion Design combines research and practice to introduce a crucial sustainable fashion design approach. Written by two industry leading pioneers, Timo Rissanen and Holly McQuillan, the book offers flexible strategies and easy-to-master zero waste techniques to help you develop your own cutting edge fashion designs.

Undeniably one of the most influential innovations of the modern world, the car has changed not only the way we live, but also the way we look at the world around us. From formal, compositional device to highly desirable, photogenic object,

A multidisciplinary look at the foremost archive of Black American visual culture, as recast by Theaster Gates. This book features essays and other reflections commissioned in response to the Facsimile Cabinet of Women Origin Stories, a monumental participatory work by Theaster Gates (born 1973). The Cabinet includes nearly

Wien zählte bereits im ersten Drittel des 20. Jahrhunderts zu den internationalen Zentren für modernen Tanz. Das Buch, das die groß angelegte Ausstellung des Theatermuseums in Wien begleitet, verweist auf die Vielfalt der brodelnden Tanzszene bis in die 1930er Jahre, stellt aber immer wieder Zusammenhänge mit der Gegenwart her.

Ein umfangreicher Ausstellungskatalog, der gleichzeitig die erste umfassende Monographie zum Werk einer der wichtigsten Künstlerinnen ihrer Generation in Osteuropa darstellt. Seit den 1960er Jahren gehört Ana Lupaș zu den wichtigsten Künstlerinnen ihrer Generation in Osteuropa. In ihrem Werk finden sich zahlreiche

This book is a dynamic and generously illustrated survey of independent publications that are breathing new life into old media.

Foreign words, paper, photos, colors, ashes, organic matter: two artists mix images and texts – shapes and words. Animals and humans meet, undergo metamorphoses and establish strange connections, as elastic and intimate as membranes.

ISBN: 9783902374264

Like a mighty river that flows and deviates from its course, this publication invites us on a journey to decipher the hidden predatory logic within the mechanisms of gold mining exploitation and the resulting socio-ecological devastation in the Guayana and Venezuela’s Amazon regions. More than a warning, What the Mine Gives, the Mine Takes presents a collective and sensitive cartography of this mining conflict through a diversity of art projects, poems, essays, diagrams, satellite visions, and documentary images.

Daily Weeding depicts Kuba Ryniewicz's everyday life in Newcastle.

The catalog was developed in close collaboration with the artist. It examines Atkins' practice in the context of contemporary art, literature and digital representation, and explores how the artist uses the displacement of language and script as well as music, voice and sound. Through videos, texts and drawings, the artist develops a multi-layered and deeply figurative discourse. The impossibility of an adequate representation of the physical, especially the corporeal - from computer-generated visual vocabulary to the most hackneyed poetry - is

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Der situationistische Philosoph und Filmemacher Guy Debord (1931–1994) folgte in seinen Filmen stets dem Vorsatz, nichts zu tun, was man in Filmen machte, und alles zu tun, was man dort nicht machte. Die Filme, die er zwischen 1952 und 1978 schuf, spiegeln diesen Plan auf einzigartige Weise wider. Seine Drehbücher und Szenarien sind nicht weniger radikal als diese selbst. Erstmals werden die Texte aller Filme

2017 begann das Künstlerkollektiv Triple Candie (Shelly Bancroft und Peter Nesbett) mit der Arbeit an einem vielschichtigen Forschungsprojekt, im Zuge dessen sie die Werke und Methodologien des amerikanischen Künstlers Michael Asher (1943–2012) untersuchten. In diesem performativen Projekt unternahmen sie den Versuch, die verlorenen, experimentellen Potenzialitäten von Ashers situationellen Kunstwerken wiederaufleben zu lassen. Dafür führten die KünstlerInnen profunde

Crip Modes explores social movements around disability across different historical contexts and examines alternative narratives,

Heimo Zobernig’s contribution to the Venice Biennial responds directly to the existing exhibition situation in the Austrian Pavilion, built in 1934 based on plans by Josef Hoffmann and Robert Kramreiter. The Pavilion’s structure, with its rounded classical arches and majestic visual axes, on the one hand, and clear, rational forms and modern construction materials, on the other, moves between the poles of historicism and modernism. At the same time, Zobernig’s intervention connects inside and outside, to create an enclosed site where one can linger and reflect on human presence in space.