Matthias Wermke is teaching a seminar (Zweckfreie Räume - Intervention und Performance) with four students at ETH Zurich (Department of Architecture and Art, Prof. Karin Sander) on the topic of "appropriation and theft in art". Later, this very technical title is changed to "Absenz – das Abwesendsein von einem Ort" (absence - being absent from a place ).

Do you really want to remember your dreams? I often wish to forget mine, probably because I sometimes remember them to the point that

“Russians could say: If you tie yourself to the tree, they will simply cut you down together with the tree.

The book begins with one single verse of poetry on "Abdallāh - The Slain" (Abdallāh al Qateel), a poet who was killed by the last thing he saw: the columns of the castle as palm trees. The rest of the book is footnotes on each word in this verse, and on the works of this poet, who only exists on the margins of the arabic literary canon.

Indian stunt artists who hide their faces are paid more than those who show their faces, while Black women stunt artists are often cast for character types who don't even get a proper name in the script. Madhusree Dutta writes on hierarchy and exclusion in cinematic practices, with alternating chapters from the life stories of two female film students. Situated in a space between

A text by Iman Mersal inaugurating the "Howdunnit" series, part crime literature and part archival research, exploring how different modes of investigation converge and diverge.

A text by Merle Kröger inaugurating the "Howdunnit" series, part crime literature and part archival research, exploring how different modes of investigation converge and diverge.

John Armleder and his class at the Hochschule für Bildende Künste in Braunschweig, Germany, who call themselves Team404, solicited original graphic works made on A4 paper from over 500 artists (Corrie Colbert, Sylvie Fleury, Thomas Hirschhorn,

Queer Exhibition Histories comprises case studies highlighting the countless efforts, both large and small, of LGBTQIA+ artists and curators, centring on queer art exhibitions and their modes of documentation and archiving. Often, the legacy of these projects largely depends on personal archives, memories, and

‘Feminisms’ (as a plural) is widely used today to draw attention to inequalities and to critique the status quo in limiting women’s roles/ positions/ lives/ potential. Art can offer a vision of future worlds, manifesting a desire for projecting change, playing with existing realities and conventions. Feminist Art Artivism and Activism, two sides of the same coin,

The book "Blod som skuggor i vatten" contains 72 drawings made during a two month period when the artist, Ingvild Hovland Kaldal, received treatment in hospital for a postpartum psychosis in 2013. The drawings are all made with charcoal on paper, and towels. They vary in their expression from abstract to figurative. The book can be seen as a journal from a state beyond time. A state that moves between heaven and hell, where chaos meets ecstasy and darkness is mixed with light.

How do we draft a life, make of it a project, do our daily work? In what material and language does it arrive to us? And what if but it is done with one’s own body, and that body becomes this material but not the subject? Villiger’s autofictions––whether sculpture or image, human or vegetal body––prompt such queries.

Zeichnungen / drawings 1980-1988: Martin Disler, 126 Bilder / images, multimedia, Printed in Switzerland, 1989 Martin Disler, Elisabeth Kaufmann

this book follows a series of performances by the three artists: Yves Mettler, Erin Olivia Weber, Alexander Wolff

The most famous example of the modernist residential housing design principle developed by Le Corbusier is located in Marseille and was built between 1947 and 1952.

Starship #19, Apokolypse of the praktikal moment presents artists contributions by John Boskovich, Elijah Burger, Simon Denny, Cornelia Herfurtner, Yuki Kimura, Vera Palme, Nora Schultz, Jack Smith; and by Rosa Aiello, Carter Frasier, María Galindo, Samuel Jeffery & Daniel Herleth, Elisa R. Linn, Paul B. Preciado, and Haytham El-Wardany

John Newling is one of UK’s most important conceptual artists and the first Fulbright Fellow. Writings is the comprehensive collection of the artists essays from 1995-2005. Newling tackles themes such as ‘certainty and uncertainty’, ‘perception and cognition’,

Published on the occasion of Wardill's exhibition "Matt Black and Rat" at Bergen Kunsthall. Featuring production stills and images from the exhibition, this book also includes new texts by philosopher Michael Marder, critic and writer Kirsty Bell, and a conversation between Martin Clark and Emily Wardill.

The book traces the legacy of Zona. Eastern Europe performance art festival that took place in Timișoara, Romania, between 1993 and 2002,

THE LINE - Atlas of Remoteness documents the exploration of contemporary landscapes by walking along a straight line around the Earth.