Autoreduction is a project initiated by Dora Budor at Progetto (Lecce, Italy) in the summer of 2021 that began with detouring a solo exhibition onto a collaborative course to traverse the itineraries of work, leisure, and consumption in southern Italy. Conceived as a companion to the exhibition, the book features

This book is published on the occasion of Pablo Bronstein: Pissoir, at Kunsthal Charlottenborg in 2011, curated by Mark Sladen.

“Throughout history and noticeably during the COVID-19 pandemic, many of us in the Asian diaspora have become targets of violence in public spaces. I wanted to create this work with performers of Asian descent to employ movement as a form of solidarity and resistance,” says Chong. Commissioned with the invitation of

GIRL ON CANVAS is an artbook project by Pola Dwurnik about painting and its reception. It explores an aspect of her paintings that is completely beyond the artist's control, the life of her works in the minds of viewers willing to actively engage with them. Over thirty different contributors have written about their intellectual and

In her film-poems artist and filmmaker Ana Vaz collages images and sounds that revolve around violence and repression, the impact of ecological ruin and the continued colonization of the earth.

Concurrent with the exhibition Autofictions in Stone, a publication features six sixteen-page sheets designed by Aglaia Konrad:

Concurrent with the exhibition Yuki Okumura, a publication features a conversation among the artist, Aaron Amar Bhamra, and Monika Georgieva, an essay by James Gatt, and numerous illustrations.

The conversations and interviews of Hans Ulrich Obrist encompass a broad practice that is dialogic in relation to both words and disciplines.

Erwin Bohatsch's work is characterized by constant oscillation between representationalism and abstraction, between color and non-color, between line and surface.

Michel Butor’s Description of San Marco (1963) is an unusual book; an unorthodox intermingling of overheard dialogue from the iconic Venetian square in question, thick descriptions of persons and buildings, along with sober historical information. In the original,

Jérôme Chazeix's publication focuses on the participatory practice and the use of textile. Chazeix's work of the last years are contemporary syntheses of the arts («Gesamtkunstwerke») in the combination of different media and their cross-references.

The goal of the IMAGINE HUMAN RIGHTS book project is to introduce the 30 Articles of the Universal Declaration of Human Rights to a broader audience and at the same time support humanitarian and educational projects related to human rights.

Neuware - A career-spanning, slipcased monograph in two volumes presenting the work of one of Asia's most thoughtful and innovative architects.

An unprecedented look into the personal and creative life of the visionary auteur David Lynch, through his own words and those of his closest colleagues, friends, and family

The image of the Caribbean is as much a creation of the West as it is the result of its population's incredibly complex identity.

„Austrian-born photographer Leo Kandl worked for twelve years on this project. He began with a Nikon F camera and later switched to a Rolleiflex. He developed and printed all the images himself. After fruitlessly searching for a publisher for fifteen years, his work was introduced to swiss publisher Stemmle by author and curator Peter Weiermair. Stemmle published the book in 1999.“

Dynamisches Kunstlicht im Museum, In Galerien und Museen wird die Wahrnehmung von Kunst, Raum und Atmosphäre wesentlich durch den Faktor Licht bestimmt.

Chris Moore is the undisputed king of catwalk photography. His six-decade career includes images of all the iconic catwalk shows because he was at them all. This is the ultimate and only edit of Moore's work throughout his career and covering the changing face of the catwalk. Covering each of the decades images

In issue 45, featured artists include Britta Marakatt-Labba, Rasheed Araeen, Rebecca Belmore, and Zai Kuning. Essays include Alec Finlay on indigeneity, nationality, and statehood in Scotland; Ana Texeira Pinto on the Portuguese art scene; and Wanda Nanibush and Walter Mignolo on indigeneity and decoloniality. Also Stefano Harney on Ground Provisions, Anthony Gardner on Documenta Athens and Kassel, and Vincent W. J. van Gerven Oei on Anri Sala’s Intervista.

RAVI SHARDJA, « Grün ist grau », composed and played by french musician Ravi Shardja (GOL) with participation of Jean Marcel Busson (GOL) and Frederic Rebotier.