The Museum of Failure is the first major retrospective publication on the artist's work, looking at each of her major projects and bodies of work of the past 20 years.

Terrain vague Persistent images gathers works by Céline Condorelli and Uriel Orlow in a multi-voice artist book conceived by Sophie Demay and Lola Halifa-Legrand.

Born in 1968 in Tel Aviv Gil Marco Shani lives and works in Israel. He studied at The Slade School of Fine Art in London in 1995 and at the Bezalel Academy of Art and Design in Jerusalem in 1994.

Fredrik Værslev’s work navigates between different painterly traditions, and demonstrates the possibilities and relevance of the medium today.

Dennis Gun (*1956 in Istanbul) studierte Malerei und Kunstphilosophie an der Akademie der bildenden Künste in Wien sowie parallel dazu auch Astrophysik. Die Monografie zeigt Werke des Künstlers aus den Jahren 2008 bis 2010.

Moving from the »Expanded Cinema« of the 1960s to the »Cyber Art« of the present decade, this monographic panorama of Jeffrey Shaw's work shows an electronic artistry in which technology is deployed without fetishism, and art never turns into propaganda.

Blendung Eblouissement a catalogue byJohannes Steidl
This is the catalogue that accompanies the exhibition that took place at ARTBORETUM gallery in ARGENTON SUR CREUSE, FRANCE publisher: ARTBORETUM éditeur

Merike Estna’s artist’s book is based on her installation “Blue Lagoon”, for the first time shown at Kumu Art Museum (Tallinn, Estonia) as part of the exhibition “Merike Estna and I’m a Painting” (27.06–02.11.2014).

Der Katalog begleitet die Ausstellung »Weltbilder« der kestnergesellschaft in Hannover und dokumentiert erstmals umfassend die Ausstellungen Ulrike Ottingers von den 1960er Jahren bis heute.

Daniel Domig's monograph “The Quiet After Word” provides an extensive look at his work, with the main focus being on his works of the last five years.

What Good is the Moon? zeichnet die Projekte der Fondazione Nicola Trussardi nach, die an wechselnden Orten in Mailand – in vergessenen Palazzi, historischen Denkmalen und an anderen ungewöhnlichen Plätzen – anspruchsvolle Ausstellungen inszeniert.

Johanna Benz erzählt in ihrem Bilderbuch die Geschichte des Mannes, der von sich sagte: »Ohne mein Akkordeon bin ich nichts.« Ein Fest der Farben und Klänge, ein Tanz der Buchstaben, eine bunte Hommage an Pacho Rada.

Köhler zeigt den Fortbestand der Dinge im Museum: Hybride Ensemble aus Schaukästen, Stellagen, Lagerregalen, Vitrinen, Schubladen, Glasstürzen, Schränken, Etuis, Kästen und Displays.

The play for two actors and a choir, entitled I Was Not Able to Visit the Entire Show, was created with the intention of being staged within the environment of gallery institutions.

Frankenstein is an experimental atlas in a scrapbook form, which was produced to accompany the original Mary Shelley’s novel.

Die Ausstellung Optik Schröder II zeigt einen repräsentativen Querschnitt durch die Sammlung von Alexander Schröder. Mit wichtigen Arbeiten von Kai Althoff, Tom Burr, Bernadette Corporation, Claire Fontaine, Gelitin, Isa Genzken, Anne Imhof, Sergej Jensen, Pierre Klossowski, Manfred Pernice, Martha Rosler oder Reena Spaulings zählt sie zu den profiliertesten deutschen Privatsammlungen für Gegenwartskunst.

Conceived through a close and extensive dialogue with graphic designer Frédéric Teschner, Helbling presents the last four years of Leblon’s sculptural, installation and drawing work, and describes the newest developments in his practice.

The 11th issue takes a spirited look at “Photography Here and Now”, and questions the creative force and place of the artistic medium in today’s culture in the age of Instagram, where everyone is a photographer and any cliché a photograph.

Seine Installationen, Skulpturen, Filme, Videos und Performances geben sich als Inszenierungen einer visuellen Kultur zu erkennen, in der er Kunst und naturwissenschaftliche Exponate in enge Verbindung setzt, den Blickwinkel eines Archäologen, Paläontologen, Zoologen oder Botanikers einnimmt.

This extensive publication is dedicated to the exuberant oeuvre of one of the most productive artists of Austrian provenance and international influence: the author, conceptual artist, musician, painter, short-film maker, video and performance artist, ballet choreographer, and stage designer Jörg Schlick (Graz, 1951–2005).