Das Künstlerbuch 54 / 55 zeigt Michael von Biels zeichnerische Arbeit Ende 2004/Anfang 2005: auf 32 Seiten mit 24 Abbildungen in

Florenz, 6. September 1975. Am runden Tisch der Festa dell’Unità verteidigt Pasolini seine Thesen zum Konsumfaschismus. Doch etwas an jenem Abend lässt

The publication accompanying the exhibition Elogio al disparate documents an e-mail correspondence between the artist and Puerto Rican writer Claudia Becerra.

John Smith’s films unfold at the intersection of conceptual art, structural film, and documentary practice, drawing consistently on his own life and immediate surroundings.

June Crespo’s sculptural assemblages, which the artist conceives as communicating vessels, enter into a resonant relationship with our bodies.

»Wir stehen am Rande des Desasters, ohne es in dem, was kommt, verorten zu können: Es ist vielmehr schon längst vergangen, und dennoch stehen wir am Rand oder werden davon bedroht«, so Maurice Blanchot 1980 in Die Schrift des Desasters.

The accompanying publication includes, in addition to an essay by Tom Houlton, lecturer in film and literature and author of the book Monuments as Cultural and Critical Objects, as well as

In Zeit im Bild, Rochelle Feinstein presents a new selection of works in which abstract painting intertwines with political, social, and ecological questions.

The insert by Belgian artist Ana Torfs is the third presentation in the series Considering the Collection & An Insert by …

Die Neuen Medien sind selbstverständlicher Bestandteil unseres Alltags geworden.

March versammelt Gedichte und Performance-Texte von Nathalie Rozanes sowie ein Gespräch mit Elizabeth Ward und Tarek Halaby.

Building Futures brings together Shahed Saleem’s written and visual research on the British Mosque, to narrate how mosques have emerged, evolved and become established in Britain since the late nineteenth century.

Das Buch dokumentiert Arbeiten von Verena Waffek in den Formaten Zeichnung, Objekt und Installation.

With their work at the intersection of art and architecture, the Haus-Rucker-Co group, founded in 1967, is one of the most important figures in the Austrian post-war avant-garde.

For her edition of The Canterbury Tales, Marvin Gaye Chetwynd has selected her favourite tales and produced a heavily illustratred, collaged book that mixes Medieval and contemporary imagery, and includes the following tales:

The riotous and colorful artwork of famed catholic nun and educator Corita Kent.

Die Zukunft der Mode beruht auf der regenerativen Nutzung natürlicher Ressourcen und der Wiederbelebung des Handwerks im globalen Süden.

In May 1968, thousands of workers and students took to the streets of Paris, provoking an unprecedented wave of strikes, walkouts and demonstrations.

Sollen wir mal ein Hochhaus bauen? erscheint als Faksimileausgabe, herausgegeben von Jörg Potthast. Die Publikation rekonstruiert

"Girls are powerful": the ‘70s feminist posters of See Red Women’s Workshop.