Since the mid-1960s, On Kawara (b. 1933) has objectively recorded his existence through everyday numbers, words, and found images.

Die Entwürfe der Textilkünstlerin Ursi Fürtler erinnern einerseits an das schillernde Gefieder von Perlhühnern oder Paradiesvögel, andererseits an die Haut von Echsen oder an Blatt- und

Christopher Morris’s My America was produced over the past three years while on assignment for Time magazine covering the first and

Zeng Fanzhi is best known for his Mask paintings: figures wearing simplified white masks, often with exaggerated hands and wide, staring eyes.

This is a monograph on *Kara Walker, offering a comprehensive overview of her work and its development.

1954, Drawings on a Bus: Sketchbook 23 offers a rare and intimate look into Ellsworth Kelly’s early drawing practice.

William N. Copley (1919–1996) was initially an American gallery owner representing major surrealists such as

Louise Bourgeois: Passage dangereux widmet sich einem zentralen Motiv der Louise Bourgeois: der Spannung

John Chamberlain – Papier Paradiso: Zeichnungen, Collagen, Reliefs, Bilder offers a revealing look at a lesser-explored dimension of

Marcel Broodthaers is “an artist’s artist.” His influence on recent art history cannot be overstated.

The Sign Painting Project came into being between 1993 and 1997 through a collaboration between Francis Alÿs and professional billboard-painters from

Knots'n Dust is the title of a monographic exhibition of Francis Alÿs that was held at Beirut Art Center in 2018 following an invitation from Marie Muracciole.

On the Water. Palisade Bay is the result of an initiative by engineers, architects, landscape architects, urban planners and students to jointly design a so-called

There are no smoking cowboys swinging their lassoes or bare-breasted blondes on heavy motorcycles in this droll collection of highly expressive

Celebrated for his explorations of the process of creating art and of the 'idea' of art, Rudolf Stingel (b. 1957) combines minimalist, conceptual,

David Tremlett: Drawing Rooms focuses on the immersive spatial work of David Tremlett, whose practice foregrounds drawing as an expansive,

Figuration is an art publication that examines the resurgence and development of figurative imagery in contemporary art.

How Do I Make Myself a Body? is a publication centred on the work of Henrik Olesen and the eponymous project that explores concepts of embodiment,

Binaera: 14 Interaktionen – Kunst und Technologie examines the intersections of art and technology through fourteen distinct projects that explore interaction as both concept and practice.

Overview of more than 20 years of graphic work, using various techniques: from photocopying and lithography to in-situ projects and installations.