Coming Closer was published on the occasion of Christoph Hinterhuber’s exhibition at Galerie Elisabeth & Klaus Thoman, Innsbruck, in collaboration with Nouvelle Galerie, Grenoble (2003).

Selbstporträt. Mit leeren Händen documents four conversations between Albert Oehlen and Rainald Goetz conducted between 1994 and 1998. Published as Bulletin 23 of the Fama & Fortune series,

Sigmund Freud House Bulletin – Special Issue Autumn 1989 is a periodical publication issued by the Sigmund Freud Museum (House of Freud), Vienna.

The Drawings of Olav Westphalen presents a curated selection of works by Olav Westphalen, drawn from nearly 2,000 drawings that were examined in his Brooklyn studio.

In his collages, films, and architectural stagings, David Maljković engages critically with the legacy of modernism. Central to his practice are sculptural and

Neither. Die Musik Morton Feldmans ist eine umfassende musikwissenschaftliche Studie von Sebastian Claren, die sich mit den kompositorischen Strategien und dem ästhetischen Denken von Morton Feldman auseinandersetzt.

History and Other Objects brings together a substantial selection of works by Ekaterina Shapiro-Obermair, ranging across media such as installation, object, photography, and archival engagements.

Die von Ingrid Gaier selbst konzipierte Monografie gibt einen präzisen Überblick über ihre textilen, installativen und filmischen Arbeiten.

Otto Zitko. Bunkier Sztuki is an exhibition catalogue documenting Austrian artist Otto Zitko’s presentation at Bunkier Sztuki – Contemporary Art Gallery Krakow in 2006.

WOODS is an artist book conceived and drawn by Alois Mosbacher between January and March 2021. The publication reflects on Mosbacher’s sustained engagement with the forest as both a real and symbolic space.

Alien Nation documents a body of work by Katrin Plavčak that moves between painting, drawing, and installation.

Korakrit Arunanondchai’s publication operates as an extension of his practice, in which painting, moving image, performance, and installation are conceived as interdependent narrative systems.

Sculture e disegni 1984–85 documents an early, concentrated phase in Josef Dabernig’s work, bringing together sculpture and drawing as parallel, method-driven investigations.

Clearly "shit mom" can be taken in several ways. Most obviously, it would seem, the title adopted by Tala Madani for her latest series of paintings (and for her book) refers to

Was trägt Sie? / What carries you? was published on the occasion of Lisa Holzer’s exhibition at the Secession in Vienna in 2019.

A Visit with the Artists documents an extended interview conducted by Sylvère Lotringer and published in 1994 as part of the Melbourne-based Pataphysics Series.

This exhibition catalogue, edited by Hans D. Chris and Iris Dressler and published in 2005 by Revolver – Archiv für aktuelle Kunst, documents a presentation dedicated to drawing by

33 degrees in the city, everything is sweating. Under the stage lights, the artificial hairpiece only intensifies the heat.

Kresiah Mukwazhi: Secession, Wien is the first monograph by Zimbabwean artist Kresiah Mukwazhi, published on the occasion of her 2023 exhibition at the Secession in Vienna.

In her work—spanning installations, videos, and performances , Carola Dertnig addresses artistic processes in relation to historiography, genre, and perspective.