In terms of both form and content, Breath Holding Spell draws directly on Bruce Nauman’s artist’s book LA AIR, published in 1970,

"This story is about a middle-aged dog protecting the world from evil heads of government who want to patent food and forbid certain cultures that I believe should be legal."

Mit ihren konzeptuellen Fotografien und experimentellen Kurzfilmen hat sich Friedl Kubelka – als Filmemacherin ab 2009 Friedl vom Gröller – international einen Namen gemacht.

This unique collaboration between two key figures in performance art spans all phases of their twelve-year partnership and shared life.

Highways are the lifelines of Europe. They carry the goods we need every day to supermarket shelves, hauled by thousands of trucks driven by hardworking drivers.

Philippe Parreno (born 1964) undermines the notion of the discrete, ownable, copyrighted artwork through collaborations with artists such as

The self-published photo volume Wet City / Islak Kent is Murat Yusuf Sen’s contribution to the visual reflection on urban change in Istanbul.

Per Dybvig understands drawing as an immediate form of observation. His work is based on quick, open lines that register gestures, postures, movements, and social situations without fixing them into closed compositions.

Eine Sondernummer der Zeitschrift »manuskripte« anläßlich des 50. Geburtstags von Alfred Kolleritsch.

Fluxus Subjektiv was published in 1990 on the occasion of the exhibition of the same name and the Fluxus actions at Galerie Krinzinger in Vienna.

Toutou, tueur né: Natural Born Killer / Apocalypso Place documents two central bodies of work by Christoph Draeger and Reynold Reynolds from around 2000.

Kerem Ozan Bayraktar s solo exhibition "Rocks and Winds, Germs and Words" is about reflecting on "life" on earth. It is organized around the concepts that Kerem has been tackling in his recent work "Great Oxidation Event" (2019).

The extensive catalogue documents a programmatic group exhibition of Austrian contemporary art of the 1980s and brings together central artistic positions of the period.

The catalog for the exhibition Kader Attia: Sacrifice and Harmony brings together a wealth of materials, images, and texts related to the French artist’s new works.

Kader Attia: RepaiR is both an artist’s book and a reference monograph on one of the central concepts in Kader Attia’s work: repair.

Otto Muehl. Leben / Kunst / Werk. Aktion Utopie Malerei 1960–2004 was published in 2004 on the occasion of the exhibition of the same name at the MAK, Vienna.

The Sound of Normalisation is a collection of audio recordings and a book of transcriptions documenting the sounding culture of the ultras group Brescai 1911 in relation to modern football and the wave of repressive measures targeted at organised supporters groups.

This magazine takes the necktie as its subject: a small accessory with a remarkable capacity to carry social codes, contradictions, and historical change.

Daniel Dewar & Grégory Gicquel: Sculptures in the Round is an artist’s book published on the occasion of the duo’s exhibition at the Secession in Vienna in 2021.

Wissenschaft als Marke untersucht, wie die Psychoanalyse nicht nur durch ihre Begriffe, Theorien und Institutionen sichtbar wurde, sondern auch durch Formen der Präsentation, Gestaltung und medialen Vermittlung.