Peter Land belongs to a generation of artists who, in the 1990s, reimagined the interplay between video, performance, installation, and drawing.

Tea-tables from the Danhauser Furniture Workshop documents a group of tea-table models produced by the Danhauser’sche Möbelfabrik in Vienna.

Atelier Van Lieshout chez beaumontpublic was published on the occasion of Atelier Van Lieshout’s exhibition at beaumontpublic in Luxembourg in 2004.

When artists engage with the house, it is transformed. Their artistic interpretations stand in stark contrast to the conventional dream of home ownership.

Heinz Franks Arbeit bewegt sich zwischen Zeichnung, Sprache, Objekt, Architektur und philosophischer Reflexion. Seine Zeichnungen und Texte arbeiten häufig mit Paradoxien, Verdichtungen und einer bewusst instabilen Bedeutung.

This publication analyzes various aspects of the craft sector. It explores the reasons behind the global craze for craftsmanship and

 Vor wenigen Jahrzehnten noch Science-Fiction, erobern Roboter und robotische Systeme heute unseren Alltag.

With Josef Frank (1885–1967), the acclaimed catalog accompanying the 2015/16 exhibition at the MAK in Vienna focuses on one of the most significant Austrian architects of the 20th century.

Nomadic Furniture 3.0. New Liberated Living? explores the history and present state of self-built, mobile, and flexible furniture.

The book examines two central modernist positions through the contrasting work of Josef Hoffmann (1870–1956) and Adolf Loos (1870–1933).

Friedrich Kiesler – Lebenswelten / Life Visions is dedicated to the work of the architect, artist, and theorist Friedrich Kiesler.

Kunst und Industrie. Die Anfänge des Museums für Angewandte Kunst in Wien untersucht die Entstehung des heutigen MAK aus dem Zusammenspiel von Kunst, Gewerbe, Industrie und Bildung im 19. Jahrhundert.

678 gibt Einblick in eine Werkphase, in der Pumhösl Film, Malerei, Zeichnung und Raum in ein präzises Verhältnis setzt.

KALEIDOSCOPE No. 8 focuses on the theme “The Politics of Friendship” and is part of the magazine's early phase; it was founded in Milan in 2009.

The issue introduces the editorial approach that would define the magazine in its early years:

At the heart of the project, the crossing of borders symbolized by the homelessness of the giants and their folklore.

In his artistic practice Steve Bishop explores how mental states can be materialized and conveyed in space, through installations often involving personal belongings and mementos.

Ulrich Reimkasten arbeitet mit Malerei, Zeichnung, textilbasierten Verfahren, konzeptuellen Ansätzen und baugebundenen Arbeiten.

Taking New York City lives as starting points, the artists’ book develops their shared interest in mapping urban life by charting the city’s anonymous signs and personal signatures.

Michael Janiszewski. Fotoarbeiten 1990–1999 / Photography 1990–1999 brings together photographic works from a decade in which Janiszewski used staging, disguise, and role-play as central means of image-making.