Americans is the second book in a series on America by Christopher Morris.

In his work, Miklós Erhardt explores artistic avenues for action in relation to sociopolitical and economic issues.

Mihály Biró (1886–1948) is one of the best-known and most uncompromising Hungarian graphic artists of the early 20th century.

In Ovid’s Metamorphoses, EOOS is one of the driving forces behind the Sun Chariot:

Die Publikation widmet sich einem eigenständigen Bestand der Wiener MAK-Sammlung und richtet den Fokus auf Knüpfteppiche aus China und Ostturkestan.

Rosemarie Trockel: Anima is the catalogue published on the occasion of the exhibition at the MAK Gallery, Austrian Museum of Applied Arts, Vienna, in 1994.

This publication is devoted to Roman Ondak, the Slovak conceptual artist whose work often operates through subtle shifts in everyday situations, social behavior, and exhibition conventions.

A highlight of the exhibition is the documentation of the spatial design developed by COOP HIMMELB(L)AU.

This publication is dedicated to nineteenth-century glassware from the MAK Collection and considers it in relation to J. & L. Lobmeyr, one of the key names in Viennese glass production.

At the interface between art and industry, the MAK has been a partner of the company J. & L. Lobmeyr since its founding.

Peter Kogler is regarded as one of the most important Austrian artists to have consistently integrated digital technologies into his artistic practice.

Die Doppeldeutigkeit des Titels Einen Dreck muss ich! gilt es zu beachten.

The duo Payer Gabriel approaches still life in a graphic-pictorial as well as theoretical-historical manner.

Luigi Ghirri’s Kodachrome, first self-published in 1978, is both an avant-garde manifesto for photography and a key work within his oeuvre.

Hervorgegangen aus der Zusammenarbeit des Künstlers Thomas Demand und des Direktors der Nationalgalerie in Berlin Udo Kittelmann, versammelt der Band Beiträge von Autoren aus den verschiedensten Bereichen des öffentlichen Lebens, die alle etwas gemeinsam haben:

FLYING LIKE A BUTTERFLY: a dream machine is a collaborative publication by WIRWIR Publishing in Berlin and Pitzilein Books in Mexico City.

For decades, Berlin has been a place shrouded in myth as a haven of sexual freedom, particularly for the LGBTQ+ communities.

In Von Mutti verbindet Béla Machemer überlieferte Kochrezepte mit einer persönlichen Recherche nach familiärer Erinnerung.

Lucy McKenzie creates spaces that seduce and unsettle. Blending painting, architecture, fashion, and film, she stages environments where surface, meaning, desire, and control converge.

Trees are commas, is a short research-creation text in which the author observes six landscape photographs by Josh Müller.