Photography becomes a way of reading Mondrian’s self-image, his studios, and the public perception of his work.

What does “family” mean today?

André Thomkins zählt zu den innovativen und vielseitigen Künstlern der zweiten Hälfte des 20. Jahrhunderts.

In VITA, Michael Hagen explores the relationship between external perception and inner experience.

Requiem brings together photographic works by Michael Hagen that explore transience, loss and transformation.

Color Inventory / Farbinventur is a 520-page NO-ISBN artist’s publication based on twelve years of intensive research into publications from the field of art.

Published in conjunction with the exhibition at the Secession in 2026, this publication explores central concerns of Onyeka Igwe’s artistic practice within the medium of the book.

The Pheletypia Photo Edition consists of a pair of two prints on Hahnemühle paper. The two motifs are reproduced in their original dimensions,

Antiphon comprises nine individual editions, numbered 1–9.

Made from roofing felt and a picture holder, the work measures 30 × 21 cm. The material refers directly to the installation, in which the floor of the exhibition space was covered with roofing felt.

Dieses Buch dokumentiert die Gestaltung eines Grinzinger Winzerhauses durch Konrad Friedel – nicht als Abfolge einzelner Räume, sondern als durchkomponiertes Ganzes.

"Fugitives from Culture" is not only a richly illustrated exhibition and rare book catalog, but also a comprehensive introductory documentation of unofficial art in Poland in the 1970s and 1980s, based on

The book, published on the occasion of Simon Starling’s exhibition The Inaccessible Poem at Fondazione Merz from 29 October 2011 to 15 January 2012, goes beyond the concept of a catalogue to become a sort of notebook, a place of relations between distant spheres and other, perhaps inaccessible, ones.

The Catalogue of Manmade Objects on the Moon is an inventory of human-made objects left on the lunar surface.